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YUBNUB.NEWSPakistan Nominates Trump for Nobel Peace PrizePakistan has nominated U.S. President Donald Trump for the Nobel Peace Prize, calling him a genuine peacemaker for his role in helping to avert a major confrontation between India and Pakistan last0 Comments 0 Shares 0 Views
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YUBNUB.NEWSUK steps closer to WW3 as NATO doubles defence spending in move similar to WW1 preludeNATO allies have agreed to commit to spending 5% of GDP on defence spending and related infrastructure by 2035, according to Sky News, which cited two sources with knowledge of discussions.Conor Wilson11:08,0 Comments 0 Shares 0 Views
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Enter to Win Wristbands to the Full Throttle Saloon at SturgisEnter to Win Wristbands to the Full Throttle Saloon + 85th Annual Sturgis Motorcycle RallyThe 85th annual Sturgis Motorcycle Rally is set for Aug. 1-10 and Loudwire Nights wants you to be there to be part of the best party of the year.Beginning today (June 23), you have the chance to score a pair of wristbands to the Full Throttle Saloon and Pappy Hoel Campground. These...0 Comments 0 Shares 1 Views
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The 5 Best '80s Rush SongsThe 5 Best '80s Rush SongsFin Costello, Getty Images / MercuryHere are the five best Rush songs from the 1980s!Like many progressive rock bands in the 1980s — and as previously mentioned in our The History of Rush in 10 Songs feature — Rush went through a considerable stylistic change during the second full decade of their career.Basically, they gradually moved away from the traditional...0 Comments 0 Shares 4 Views
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Emeet Pixy review - a capable 4K PTZ webcam on a budgetEmeet Pixy review - a capable 4K PTZ webcam on a budget As an Amazon Associate, we earn from qualifying purchases and other affiliate schemes. Learn more. Verdict...0 Comments 0 Shares 1 Views
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The Bluetti AC180P portable power station is down to its lowest-ever price ahead of Prime DayBest power station deal: $400 off Bluetti AC180P Amazon Prime members can get $400 off this beast. By Ben...0 Comments 0 Shares 3 Views
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WWW.THECOLLECTOR.COMHow Virgil Made Aeneas an Epic HeroOriginally a minor figure in the Homeric epic The Iliad, Aeneas is cast by Virgil as the hero in his epic The Aeneid. This is an appropriate choice for Augustan Rome when Virgil was writing. Aeneas displays important virtues and an expedient bloodline, but he does not always meet expectations of what might be considered a hero. He shows weakness and uncertainty, plus he ultimately acts against his own will. He raises questions about what makes a hero and whether one chooses to become a hero.Aeaneas: An Epic Hero From the StartTerracotta neck-amphora (jar) showing Aeneas rescuing his father during the fall of Troy, attributed to the Diosphos Painter, c. 500 BCE. Source: Metropolitan Museum of ArtVirgil wisely chooses his hero for his epic. He selected a character who had already been highlighted in the foundational Greek epic, The Iliad, yet whose characterization and role were still vague. This leaves Virgil plenty of liberty to mold him as required. Although a minor character in The Iliad, Homer singled out Aeneas for his bravery, skill, and connection with the gods. The character of Aeneas provided by Homer, therefore, offers a wonderful foundation on which Virgil could build his hero.Aeneas shares characteristics with previous ancient heroes. Firstly, his divine heritage. He is the son of Venus/Aphrodite, which confers on him the status of a demigod. Additionally, he is depicted as a great fighter, demonstrating similar skills in battle in The Aeneid as he displayed in The Iliad. This is particularly notable in Book Two of The Aeneid when Aeneas is defending Troy and later in Book 12 in his battle with Turnus. Aeneas, like Odysseus, possesses physical beauty, which allows him to seduce and gain female favors, for example, in his seduction of Dido.The character of Aeneas ultimately provides Rome with an anchor in the heroic epic past. Aeneas was a contemporary of the great heroes Hector and Achilles and a member of the royal house of Troy. His associations allow the Romans to view Aeneastheir own hero and supposed ancestorwithin the continuum of that heroic tradition and chronology. Essentially, the character of Aeneas provides the bridge between the Greek epic heroes and the Roman Empire.A Hero of His TimeAugustus from Prima Porta, Roman, c. 1st century CE. Source: Vatican MuseumDespite being anchored in ancient Greek epic and heroic conventions, Aeneas is transformed into a Roman hero with Roman values who would appeal to a Roman audience in the age of Augustus. Aeneas is often described as pious in The Iliad. In The Aeneid, his piety assumes a wider meaning of being generally dutiful toward his family, his people, the gods, and his mission. This sense of duty would likely have appealed to the military-minded Romans seeking to expand the Roman Empire for the good of all, even if at great personal sacrifice.Aeneas is famously dutiful to his father, Anchises, in contrast to the Greek heroes Hector and Achilles, who were unable to protect their fathers. He is also dutiful towards his son, Ascanius. Indeed, Aeneas dedication to his son is his main motivation for following his destiny. It proves more important than listening to the gods or the fate of the Roman Empire, and it leads him to abandon his lover, Dido. The importance Aeneas places in the future and his dedication to the next generation, therefore, differentiates him from the heroes of The Iliad and The Odyssey. Aeneas is instead ready to sacrifice the present moment for the greater future effacing himself for the greater good.Virgil portrays the hero as father Aeneas towards his people and his nation. This would have appealed to leaders like Augustus, who portrayed himself not as a king or a dictator but as princeps, meaning first among equals, and pater patriae, meaning father of the fatherland. Both Julius Caesar and Augustus also tied themselves to Aeneas through common ancestry, claiming that they were also descendants of Venus.Venus Giving Arms to Aeneas, by Jean Cornu, 1704. Source: Metropolitan Museum of ArtVirgil gives his hero national significance and ties his existence and destiny to the destiny of the Roman Empire. His epic also provided reassurance that the gods were supportive of the Roman Empire and that Romes leader at the time, Augustus, was the chosen one. Aeneas was a hero who could inspire the beaten-down Romans, who had just lived through years of civil war and a failing Republic, to have faith in the Empire they were building and the leaders who were leading them. Aeneas, the hero in fiction, reflected and was reflected by Augustus, the hero of the moment.Aeneas demonstrated a much broader ambition than previous epic heroes. Hector, for example, sought only to defend his city, Achilles was motivated by personal glory and revenge, while Odysseus quest was a homecoming. Aeneas instead sought to found the Roman Empire. This enormous accomplishment placed Aeneas on a larger stage.Furthermore, no heroes in The Iliad were particularly successful. Hector and Patroclus die, while Achilles is known to die before the Greeks gain Troy. However, Aeneas is successful in his mission: he found a city and a people. Success, therefore, becomes part of Roman national identity.A Contradictory Hero? A Contradictory Empire?Aeneas Defeats Turnus, by Luca Giordano, c. 1650-1700. Source: Wikimedia CommonsAnother characteristic trait of Aeneas is his desire to offer mercy and peace. In contrast to The Iliad, where confrontation is the norm, Aeneas wishes to be a character who unites rather than divides: I shall not command Italians to bow to the Trojans, nor do I seek the sceptre for myself. May both nations, undefeated, under equal laws, march together in an eternal pact of peace (Book 12). Aeneas sought to join Latium and the Trojans through his marriage to Lavinia. This desire for peace would have been particularly relatable to Virgils contemporaries due to Romes recurrent civil wars, most recently between Augustus and Mark Antony. A hero who valued peace and unity would have been all the more important.However, Aeneas intentions for peace ultimately fail, at least regarding his having to fight and then deciding to kill his Italian competitor, Turnus, even though Turnus begs for mercy. Maybe through this ambiguous end to the epic, Virgil is highlighting the means required to enforce peace as well as the appeal of personal vengeance. Therefore, the confrontation between Aeneas ideals and his actions makes him an interesting hero for an epic: to achieve his ideal, he has to sacrifice it in practice. Rome, too, must make sacrifices for peace, which was won at the point of a sword.A Hero Against His Own Will?Venuss Farewell to Aeneas, detail of Aeneas, by Giovanni Battista Tiepolo, 1757. Source: Villa Valmarana ai Nani, VicenzaAeneas heroism is indeed further complicated by the fact that his mission often goes against his personal desires and emotions. Indeed, when we first meet Aeneas, he seems weak and is wishing for death. It is not the most heroic of entrances. Aeneas has to leave his home of Troy and his love interests for the greater good of the Roman Empire. He is a hero who self-sacrifices repeatedly. His personal life is undone by political necessity. His numerous personal losses allow us to have greater empathy for him while highlighting the self-sacrifice required from all contemporary Romans for the glory of the Roman Empire. It also leads modern readers to consider that if Aeneas can share some of our weaknesses, maybe we can share some of his strengths.Still, statements such as I left your land against my will and I sail for Italy not of my own free will shock a modern audience, less used to ideas of fate and more comfortable with concepts of self-determination and following our desires. However, this is ironic because most of us are constrained by relationships, just like Aeneas with his family and descendants, as well as societal pressures. Aeneas exemplifies the heroism of doing what you should do when you do not want to. This is a version of heroism that is not attractive to the individual but is necessary for society.0 Comments 0 Shares 1 Views
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WWW.THECOLLECTOR.COM9 Myths About Hermes From Greek MythologyHermes was the messenger of the gods and one of the twelve Olympian deities the ancient Greeks believed ruled over the cosmos. He was a patron of merchants and thieves, and a protector of travelers. Identifiable by his heralds wand and winged sandals, Hermes main role in mythology was to act as the voice of Zeus and deliver his decrees. While mostly characterized in his capacity as messenger, Hermes was also one of the more powerful Olympians. In the Homeric Hymn to Hermes, his half-brother Apollo says For my part, I dread the strength that will be yours.1. Birth and Invention of the LyreInfant Hermes, Roman copy of Greek original, c. 1st century CE. Source: State Hermitage MuseumThe most detailed account of Hermes birth comes from the Homeric Hymn to Hermes, generally attributed to Homer due to the style and meter of the poem. Hermes is the son of Zeus and Maia, a daughter of Atlas. She was a shy goddess, preferring to spend her time away from the other divinities. In a cave in Kyllene, Zeus visited her in the dead of night after Hera had gone to sleep. They conducted their affair in secret and Maia eventually became pregnant, giving birth to Hermes.From birth, Hermes already possessed the ability to walk and talk. Shortly after being born, he leapt from his cradle and exited the mountain cave, finding a tortoise grazing in front of the entrance. He killed it and cleaned out its shell, then stretched an ox hide over it. He affixed strings made from sheep gut to a cross piece made from the oxs horns, creating a stringed instrument. He would later allow Apollo to claim credit for the invention of the lyre.2.Theft of Apollos CattleNeck-Amphora showing Apollo between Hermes and a goddess, attributed to the Exekias painter, c. 530 BCE. Source: Metropolitan Museum of ArtHaving invented the lyre, Hermes was struck by another desire, this one full of mischief. He made his way to Pieria, where Apollo kept his cattle. Hermes stole fifty of the livestock and drove them away, wiping aside their hoof prints as he went. He even reversed the prints in places and himself walked backwards, making it appear that they headed in the opposite direction.Hermes encountered an old man as he made his way back to Kyllene, and he bid the old man to forget what he saw and not to tell a soul. In the Homeric Hymn to Hermes, the poet claims that during this trip Hermes invented fire and the use of fire sticks.When Apollo noticed his cattle were missing he immediately took up the search. He found the same man that Hermes passed and asked him if he had seen who had taken the cattle. The man told Apollo that he had seen a child drive the cattle away.Apollo eventually came to the cave where Maia and Hermes lived. Hermes did his best to appear like an ordinary newborn, but Apollo saw through the ruse and threatened to throw Hermes into Tartarus unless he revealed what happened to the cattle. Hermes tried to deceive Apollo, telling him he didnt know what happened to his cows and, being a newborn baby only one day old, he didnt even know what cows were. But again, Apollo wasnt deceived. They argued back and forth without resolution, eventually going up to Olympus to have Zeus arbitrate.Bronze Statuette of Hermes swayed on a rock, Roman copy of Greek original, c. 1st/2nd century CE. Source: Metropolitan Museum of ArtZeus was amused by his sons and commanded that Hermes show Apollo the location of the cattle. Hermes complied, but Apollo noticed some cow hides and realized that Hermes had killed and skinned some. Apollo again became angry and tried to restrain the infant with rope, but the rope couldnt hold him.Hoping to calm Apollo, Hermes pulled out his lyre and began to play. Apollo was enthralled by the instrument and declared that the song Hermes played was well worth the oxen he stole. The two gods made a trade and Hermes gave him the lyre in exchange for the cattle.While tending his herd, Hermes invented a new instrument, pipes. Apollo again wanted this art for himself, so he offered Hermes the golden staff he held when herding cattle. Hermes agreed to the exchange as long as he was also granted the power of divination. Apollo agreed and declared all of Hermes divine privileges, which Zeus then confirmed by making Hermes his messenger.3. Divine Messenger and Guide of the DeadNeck-Amphora showing Herakles leading Kerberos, Athena and Hermes, Attic, c. 6th century BCE. Source: Metropolitan Museum of ArtThroughout Greek mythology, Hermes main role in the pantheon was as messenger of the gods and guide of the dead. He acted as the hand and the voice of Zeus, providing aid and direction from the king of the gods to mortals or other divinities.When Athena and Poseidon competed to become the patron deity of Athens, Poseidon was furious at his loss and threatened to flood Attica. Zeus sends Hermes to forbid him from doing that.After the Great Flood that wiped out mankind, only Deucalion and Pyrrha remained. Deucalion prayed to Zeus, who sent Hermes down to him to grant whatever he requested. Deucalion wished for the restoration of humanity, so Zeus directed him to toss stones over his shoulders. The ones he threw turned to men, the stones thrown by Pyrrha became women.In his capacity as the guide of souls, Hermes regularly traveled to and from the Underworld. During Heracles labor to retrieve Cerberus from the Underworld, Hermes showed him the way. The messenger god was also sent to retrieve Persephone from the Underworld, but returned empty-handed when he learned that while there she had eaten three pomegranate seeds, forcing her yearly return to the Underworld.4. The GigantomachyCalyx-Krater showing Hermes (left) and Zeus (center) fighting a Giant (right), attributed to the Nekyia Painter, c. 450-440 BCE. Source: Metropolitan Museum of ArtWhen the Olympians overthrew the rule of the Titans and imprisoned them in Tartarus, Gaia summoned her children, the Giants, to war against the Olympians. Known as the Gigantomachy, the war embroiled all of heaven. Even Heracles was said to have taken part on the side of the gods. Hermes, donning Hades cap of invisibility, stealthily slew the Giant Hippolytus.When the gods defeated the Giants, a monstrous son of Gaia, Typhoeus, or Typhon, was unleashed upon the heavens. Hesiod described him as having the heads of a hundred serpents growing from his shoulders and their eyes glittered with fire. From their mouths came every sound imaginable, sometimes speech while other times the lowing of a bull or the barking of dogs. Apollodorus described Typhon as human in appearance down to his thighs, but so large that his head touched the stars. His legs were coils of hissing snakes and fire blazed from his eyes.Typhon was so powerful that all the gods, except for Zeus and Athena, fled in terror to Egypt, where they hid in the shape of animals. Apollo became a hawk, Ares became a fish, and Hermes became an ibis.To the gods shock, Zeus was defeated by Typhon, who cut the tendons from his hands and feet with Zeus own weapon. Typhon carried Zeus to Sicily and hid his tendons in a bear skin, then set the dragon, Delphyne, in place to guard them. Hermes, ever the cunning thief, stole the tendons out from under the dragons nose and put them back into Zeus without being seen. This gave Zeus a chance to recover and eventually defeat Typhon, imprisoning him under Mount Etna in Sicily.5.Binding PrometheusPromthe Attach sur le Caucase, by Jean Charles Frontier, 1744 CE. Source: Louvre MuseumWhen Prometheus stole fire and gave it to mankind, Zeus sent Hermes to deliver his punishment. Hermes chained Prometheus to a rock on Mount Caucasus and set an eagle to eat his liver every day. When Zeus learned that Prometheus knew of a prophecy that Zeus would one day be overthrown by his own son, he sent Hermes to coerce the information out of him. The scene in Aeschylus Prometheus Bound becomes tangibly more tense knowing that Hermes was the one who put him there.6. Slaying ArgusMercury and Argus, by Pieter van Bloemen, c. early 17th century CE. Source: State Hermitage MuseumIo was a mortal lover of Zeus who he transformed into a cow to hide his infidelity from Hera. Not fooled by the ruse, Hera made her husband give her the cow as a gift, which she promptly placed under the watchful guard of a hundred eyed giant named Argus Panoptes. Not willing to let his lover wallow in her bovine state, Zeus commanded Hermes to free her.Disguised as a herdsman, Hermes drove a flock of goats through pastures, playing his pipes all the while. Argus heard the sweet song and invited Hermes to sit with him. The trickster god stayed with the giant, recounting stories and playing songs, and slowly lulled him to sleep. Once Argus could no longer keep his many eyes open, Hermes used his heralds wand to magically seal them. He then unsheathed his sword and decapitated the giant, tossing his head down the mountain side. This deed earned Hermes the epithet Argeiphontes, Slayer of Argus.7. Transforming PolyphonteHermes, attributed to Polykleitos, c. 1st/2nd century CE. Source: Metropolitan Museum of ArtPolyphonte, a granddaughter of Ares, scorned Aphrodite and refused to show her proper honors. In retaliation, the goddess made Polyphonte fall in love with a bear. Driven mad by the desire, Polyphonte coupled with the bear and had two children, Agrius and Oreius. They were massive in stature and possessed immense strength, and they scorned all the gods. Regularly they would find strangers on the road and haul them home to eat. Zeus was disgusted by their activities, so he sent Hermes to punish them.Hermes wanted to cut off their hands and feet, but Ares intervened. Polyphonte and her children were instead turned into birds, all of which were omens of misfortune.8. The Trojan WarPriam Ransoming Hectors Body, by Giovanni Maria Benzoni, c. 19th century CE. Source: Metropolitan Museum of ArtBy the close of the Trojan War, Achilles killed the Trojan prince Hector and dragged his body back to the Greek camps. He refused to allow the prince the proper burial rites and left his corpse out to be eaten by dogs and carrion birds. The Trojan king Priam prayed to Zeus that he might retrieve his sons body, and the king of the gods heard him. Zeus bid Hermes to appear to Priam and guide him to the Greek ships unseen, and guard him until he reached Achilles hut.Hermes took the Trojan king on a chariot, and when they reached the walls protecting the Greek ships, he put all the guards to sleep. Hermes then opened the gates to allow Priam inside. Coming inside Achilles hut, Priam entreated the warrior to give him back his sons body in exchange for a hefty ransom. Pitying the old king, Achilles agreed.9. The OdysseyCalyx-Krater showing Odysseus pursuing Circe, attributed to the Persephone Painter, c. 440 BCE. Source: Metropolitan Museum of ArtOn their voyage home from Trojan war, the hero Odysseus angered Poseidon when he blinded his son, Polyphemus. Unable to stop Odysseus return home since it had been preordained by Zeus, Poseidon opted to delay it, making the journey last ten years.Odysseus and his crew happened on the island of Aiaia, where the sorceress Circe lived. She turned his crew into pigs, and when Odysseus learned of this, he went to confront her. Hermes stopped the rash hero and told him of Circe and her magic. To protect him, Hermes gave Odysseus an herb called moly that would nullify Circes spells. Thanks to Hermes instructions, Odysseus was able to get the upper hand on Circe and he made her turn his crew back into humans.Odysseus encountered Hermes again on the island of the goddess Calypso. She had been holding him captive for years, using him as a sex slave and trying to convince him to stay with her, even offering him immortality. But Odysseus longed for home and for his wife Penelope. Zeus eventually decided that Calypso had delayed him long enough, and sent Hermes down to tell her to let Odysseus leave.Upon Odysseus homecoming, his wife Penelope and his home were beset with suitors who refused to leave. Odysseus tricked them into an archery contest, and then he and his son, Telemachus, slew all the suitors. In his capacity as the guide of souls, Hermes arrived to wake the dead and guide them to the underworld.0 Comments 0 Shares 1 Views
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WWW.THECOLLECTOR.COMHow Were Medieval Battles Fought? A Guide to Medieval WarfareThe medieval period was a time of near-constant conflict throughout Europe. In spite of the seemingly endless wars, full-scale pitched battlesthe favorite subject of history enthusiasts and Hollywood alikewere actually rare compared to other types of warfare. However, when they did occur, they could play a pivotal role in a military campaign. When two armies clashed, how did the engagement play out?Medieval Style Warfare(Le roi Jean la) Bataille de Poitiers (King John at the battle of Poitiers), by Eugene Delacroix, 1830. Source: LouvreThe medieval period was a long period that extended from around 500 to 1500 CE, though when imaging warfare, most of us are thinking of the High and Late Middle Ages between 1000 and 1500 CE. Most of Europe at this time was ruled under the feudal system, where individual lords pledged their loyalty to other nobles, culminating with a monarch. With such a decentralized system, nobles constructed castles as power bases to control their fiefdoms and defend against attacks, and every city had stout walls surrounding them. With these strongholds so commonplace, siege warfare was much more common than open field battles.Another method of warfare was raiding. By attacking the soft targets of the countryside, the economic productivity of the lands would be destroyed, and the defending government would lose legitimacy since they were unable to protect their lands. Raids could take any number of forms, but probably the most famous was the chevauche, which saw mounted English soldiers destroying the French countryside during the Hundred Years War. They moved quickly, seizing both wealth and hostages and then burning the rest. This undermined the trust in the ruling class, who could not protect their own lands, while enriching the English raiders.Though open field battles were rare by comparison, they did occur, usually in the context of raiding or sieges. An army must confront an enemy raiding its lands, or intercept a relief force trying to break a siege, which would force a field battle to happen.Who Fought in Medieval Battles?Italian suit of armor, c. 1400-1450. Source: Metropolitan Museum of ArtThere were a very large number of battles that were fought during the Middle Ages, so it is necessary to make some generalizations. The feudal system meant that there was very little in the way of standing armies, so when a campaign was called by the monarch, the noble of each fiefdom was responsible for bringing a designated number of soldiers, or paying a fee that was used to hire mercenaries. For the most part, the soldiers provided their own equipment, so the quality and type of equipment varied wildly based on the individuals being called up for service.Armies were broadly divided into three troop types: the cavalry, infantry, and missile troops. The cavalry was usually made up of knights who were wealthy enough to acquire the best weapons and armor available at the time. Their horses were specially trained and bred to be able to carry the weight of an armored warrior on their back. In the 11th century, cavalry began to utilize the couched lance, where the lance was tucked under the arm of the knight holding it in place. The weight of the horse and the rider would be imparted to the target upon impact, and a massed charge of heavy cavalry would be absolutely devastating.Light cavalry, usually made up of commoners who had enough wealth for a horse, were also employed. They were used for scouting and raiding, to harass the enemy, or to ride down those fleeing the battlefield. They would have less armor and lower quality weapons than their knightly superiors, but could be invaluable on the battlefield.Longbows found on the wreck of the Mary Rose, 1545. Source: Mary Rose MuseumMost of the lower classes were used as infantry, since they were unlikely to be able to afford a warhorse. The exact equipment type varied based on the technological advances of each era, but the primary weapon would be a spear or some other polearm. This weapon was cheap and easy to produce, simple to wield, and provided more reach than other weapons. In a dense block of soldiers, the serried wall of spears would be an effective barrier against an enemy. They would also be armed with a shield, usually a triangular shaped heater shield, and armor would consist of a simple helmet and whatever other type of protection they could afford, ranging from metal armor such as plate or mail, or just a padded cloth jacket such as a gambeson.Missile troops were armed with either crossbows or bows. Bows required a tremendous amount of training and physical strength to use effectively. These men were paid higher wages than the spearmen, but they had to prove their proficiency with the bow before being accepted. Crossbows did not require the same amount of training to use as a bow, and shot much more slowly. They were still invaluable on the battlefield and some crossbowmen, such as those from Genoa, were highly prized as mercenaries. Slingers were also used on occasion, but much less often than in the ancient world.Battles by the NumbersWilliam the Conqueror on the Bayeux Tapestry, c. 11th century. Source: Magna Carta ProjectOnce assembled, medieval armies were much smaller than their ancient counterparts. At the battle of Cannae in 216 BCE, the Romans fielded a force said to be over 80,000 strong, facing off against the Carthaginians who had roughly 40-50,000. At the battle of Agincourt in 1415, the English army numbered between 6-8,000 men, while their French adversaries had between 15-25,000 men in total, which was a very large army for the era. Even if the ancient numbers are exaggerated, it still shows that medieval armies were tiny in comparison.The bulk of the army was made up of infantrymen, which could make up between 70-90 percent of the contingent, though the exact ratio could fluctuate wildly based on the individual circumstances. Even though they were the core of the army, the mounted knights made up a tiny proportion of the total numbers, a few hundred at most. In the latter part of the Middle Ages, the English had an unprecedented amount of missile troops, specifically the famed longbowmen, who outnumbered the other elements of the army at a ratio of about five to one, and even as much as ten to one at times. This emphasis on ranged weaponry was highly unusual during the era.Preparing for BattleLance head, Spanish, c. 15th century. Source: Metropolitan Museum of ArtIf a battle was inevitable, both sides tried to position their forces in an advantageous way. High ground was sought out as much as possible. An elevated position allows for better visibility and longer range shooting. Soldiers already on the high ground also did not have to worry about becoming fatigued climbing uphill during an attack and could charge downwards with more momentum. Armies would also try to anchor their flanks. One of the most common tactics was to outflank, or maneuver around the side of the enemy. To prevent this, armies positioned themselves with a barrier such as a body of water or difficult terrain.As a general rule, the infantry formed up in the center, with the missile troops either in front of the formation to act as skirmishers or placed behind the infantry, using the wall of spears and shields as a bulwark for protection. Cavalry would be on the flanks, using their mobility to sweep around the enemy where possible, or exploit gaps in the enemys line. The heavy cavalry could be posted on the flanks, but could also be formed up in the center ready to deliver the decisive blow to crush a wavering enemy.Command and ControlBattle of Crecy, by Jean Froissart, c. 15th century. Source: Wikimedia CommonsOn the battlefield, the army would be arranged into groups called battles, usually three in number. While on the march, the front battle was called the van or vanguard, then there was the middle or middle guard, and the rear or rearguard. Also called wards, these sections made commanding and maneuvering the army easier. Each section would have its own sub-commander who would make tactical decisions without having to waste valuable time asking for orders from the overall commander.On the battlefield, orders were given through the use of trumpets, drums, and verbal commands. Battle standards or flags were also used as a visual signal to advance or fall back. For the individual soldier, this was a simplified way to keep track of what he was supposed to be doing. Even if other signals such as trumpets or shouted orders arent heard, they would only have to look up, see the standard, and then follow. If the standard is advancing, then advance, if it is retreating, then fall back. Standards would be placed near the commander of the individual unit, the sub-commanders, and the overall commander who was often the monarch as a way to note their location at a glance across the battlefield. If a message must be sent, the messenger would know instantly where to go. This also meant the enemy knew where the important people were, and would give special attention to those spots.The Heat of BattleCrossbow, Central European, possibly Austrian, c. 1425-1475. Source: Metropolitan Museum of ArtWith both armies drawn up for battle, what happened next was often a waiting game. No army would give up a suitable defensive position unless needed. Eventually, the commander or a sub commander would see an opportunity or simply become impatient and order an attack. This could be from the cavalry, infantry, or missile troops, depending on the situation. If there were ranged troops available, they could be used to goad the enemy into action. At the battle of Agincourt, some English archers shot long range at the assembling French, provoking them into attacking the English lines before they were ready. They charged uphill over muddy ground against the entrenched English without organization or planning and were crushed.Eventually, someone made a move and the battle began in earnest. There were endless ways this could play out. Generally, there was skirmishing by missile troops to harass the enemy or break up their formations, light cavalry threatening the flanks and looking for opportunities, and the infantry standing firm or advancing as needed. The main role of the infantry was to act as a screen to protect the cavalry and missile troops. Should the attack fail, they could withdraw behind the foot soldiers, reform and try again. The infantry could also be used to hold ground, something that the other troop types would have difficulty doing.The mainstay of a medieval battle was the hammer of the mounted knights. When the opportunity presented itself, the cavalry would charge. This would not be a mad rush towards the enemy, but a carefully orchestrated advance. They would first advance at a walk, a measured pace to close the distance as much as possible before increasing speed. They would accelerate to a trot, then a canter, roughly equivalent to a human jogging. This gave the cavalry the chance to build up momentum without tiring the horses, and still giving the commander a chance to call off the attack if necessary. They would only break into a gallop when they were a short distance from the target. A massed charge of cavalry with couched lances could shatter the enemy, breaking open their formation and causing a rout.Aftermath: Mopping UpBattle of Meaux, by Jean Froissart, c. 15th century. Source: Wikimedia CommonsThe key to winning a battle was morale and discipline. Once one sides morale drops, they will break their formation and try to run away. It was then that the battle was essentially over, but the slaughter would begin. Outside of the formation, a soldier is vulnerable and can be surrounded or picked off almost at will. Light cavalry were deployed to run down the fleeing enemy, cutting them down as they fled. It has been estimated that up to 90 percent of the casualties inflicted on an army occurred during a rout, which explains why the casualty numbers for a battle are often lopsided. As a general rule, an army retreated after suffering between 15 and 30 percent casualty rate. Fighting to the death almost never happened.More often than not, a single weak point caused the formation, and eventually the entire army, to collapse. Flanks were vulnerable to being rolled up and the center could be broken. Unless reserves could stem the tide, these breaks could cause the entire army to crumble into flight. Momentum was key, and a trickle can soon turn into a flood.After claiming the field, the victorious army tended to their own wounded and dead, stripped the vanquished enemy of armor, weapons, and valuables, and dealt with any prisoners. If wealthy enough, they could be ransomed back to their families for money. If not, their treatment could range from execution to mutilation, such as the removal of a finger or eye. Sometimes they were simply let go, depending on the situation.There was no one way to fight a battle and there were exceptions to everything, based on the specific circumstances. As time wore on, changes in how governments and armies formed, as well as technological advances, changed the way battles were fought, leaving the medieval way of fighting a relic of the past.0 Comments 0 Shares 1 Views